Archive for the ‘Adaptive Reuse’ Category

Moving Blankets

Monday, September 3rd, 2012

A new series of quilts is coming along.  Using a basic format of four foot by six foot, quilted with an undulating wave patterned after utilitarian packing blankets, these quilts can withstand serious use. Because I’ve been collecting for a long time, there’s a lot of patterns and colors to choose from. Rather than control the whole process from beginning to end, this series gives numerous other people an opportunity to participate. The best part, for me, is seeing how people identify with certain fabrics: their choices are a reflection of their own aesthetic.

At the Mercer County Teen Arts festival this year, I asked 40 students to select fabric from a big pile. They picked at random; ironing, cutting, pinning and joining their two fabrics with the available iron and sewing machine. They did all the work themselves, with supervision but little intervention on my part.

Here is the result: I added the blue fabric with the poppy print to help unify the composition.

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The back is composed of fabric given to me by friends, which is both cheerful and funky with the repeating pattern of squirting tubes.

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My friend Harriet completed her second quilt, and gave me the leftover fabric – including some 12″ squares she’d made following a checkerboard pattern in a distinctive palette including acid green, turquoise, harvest gold and lemon yellow. Alternate 12″ squares were pieced from my collection of curious scraps.

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Marimekko back in two colorways:

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This is another assemblage mostly using Harriet’s fabric, with a few unusual additions from my collection:

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Michelle Post picked the backing, which is another cheerful Marimekko fabric:

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Mending

Monday, September 6th, 2010

About eight years ago I bought a handmade quilt at the Mill Hill neighborhood sale.  It was in threadbare shape in places, and the rosebud pink backing fabric was very soft but had worn through around the edges. The fabrics are small prints, possibly from the 1930s.  The batting is a woven cotton blanket, so it has more weight than usual for its size.  It gets daily use on my kitchen couch, and has been run through the wash multiple times.  As a result, a lot of the white squares are failing, the cotton has become whisper thin and tears easily.  As sad as it looked, the quilt was important enough to me that I devised a way to re-invigorate it.

Aunt Denise passed along some fabric that had belonged to her mother.  The hexagonal shapes are all hand hemmed and sewn into clusters.  Using an iron-on product I was able to make patches to cover the worst of the damaged areas, which are now being further secured with delicate hand stitching.  The old backing was removed completely, and replaced with a light cotton featuring a repeat pattern of a boquet of poppies.  The new backing is doubled up and overlaps to provide a one inch border on the front, which has been hand stitched around the perimeter of the front of the quilt.Here is a picture of the result.mended quilt

Merry Christmas, George!

Friday, December 25th, 2009

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George Davison was first encountered by me on a rooftop at a party in downtown Santa Barbara, CA in 1985.   There was a colossal sky full of stars. We were looking at the Milky Way, and had both recently read the “Electric Kool Aid Acid Test”.  He has a way of being in interesting places at interesting times.  As a raconteur, he is unparalleled. When I came home to SB he was one of the people to track down.   If anything interesting and worthwhile was happening in our sleepy beach town, he’d be in on it, would tell me about it, and often I was welcome to tag along.  His musical talent is undeniable: while I knew him, he played lead guitar for the aptly named Bitch Magnet, but his legendary status long preceeded that incarnation.  When word came that he’d been fighting cancer I figured it was time to rally.  A number of our mutual friends contributed fabric to the project.  Scott Williams, a Bay Area artist, created a number of amazing stenclied blocks which elevate this quilt to the fine art level.  Katherine, William and Cecil de Mille joined Patty Smith, Simone White and Robin Robinson in giving fabric.  One fun weekend found me, Harriet Mc Caig and Nicholas Croft in a fabric blitz, sipping champagne and listening to tunes while figuring out which block should go where.  All I can say is, the best projects have serious meaning attached.  The intent all along was to make something from all our disparate parts, something useful to keep our friend warm and to remind him we love him, near or far.

Post/Carrow quilt

Wednesday, December 2nd, 2009

My favorite thing to do in quilting is to make something specifically for someone I care about.  Recently I have been fortunate to work on a few of these sort of projects.  The idea of adaptive re-use is one shared with a number of artists I know, notably my dear friends David Carrow and Michelle Post.  Both are incredibly talented, accomplished makers in their own rights, and their combined forces have resulted in an evolving collaborative process which is an inspiration to all who know them.  Tuesday evenings are a time for friends to work on creative projects together at my house- often we have a jigsaw puzzle going, and once completed they go to Post for incorporation in her work.  We decided to barter- she’ll do over a(n) Hoosier cabinet I have which needs her wild and wonderful treatment, and I’d make a quilt for her & DC.  The process was great fun- I have a lot of fabric with fish patterns, and Post is a Pisces.  Carrow is a Sadge, (like me) a fire sign.  He served in the Navy and shares a love for sailing with Post, so we chose a number of nautical themes to work into the design.  I always encourage participation in fabric selection for custom pieces- Post was clever in hunting down some good stuff from her local Millville fabric store, including the backing and border fabrics.  This is the quilt in progress:

 Post/Carrow quilt in progress

The finished piece is shown under “Custom” in my website.